Film Festivals 2015
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Re: Film Festivals 2015
Damn their new system, which basically gives priority to more experienced people, as opposed to those of us who wake up at 7am to access their ticket site.
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Re: Film Festivals 2015
I'll be vocal on Twitter and Facebook and everything to tell them how disappointing this was. I'm sure the ones who got the invitations easily are the ones who could easily get in with their super accred anyway.
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Re: Film Festivals 2015
After Rust & Bone, I'll take a chance on anything Audiard does, so Dheepan is on my list to see within the next year or whenever its gets a US release date.
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Re: Film Festivals 2015
With a Palme d'Or under its belt, there's little doubt Dheepan is gonna France's entry for Best Foreign Language Film at the next Oscars, so the film will probably get released this fall in the US. In France it's slated for late August, which is usually when Cannes "big" films start getting released here.
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Re: Film Festivals 2015
Venice has announced its opening film : Everest !
Consdering the last two opening film of the Venice Film Festival were Birdman and Gravity, the Italian Festival's opening slot isn't one to take lightly, lately.
Consdering the last two opening film of the Venice Film Festival were Birdman and Gravity, the Italian Festival's opening slot isn't one to take lightly, lately.
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Re: Film Festivals 2015
that's some shoes to fill.
Re: Film Festivals 2015
First Names of Toronto
World premieres
Beeba Boys – Deepa Mehta, Canada
Forsaken – Jon Cassar, Canada
Freeheld – Peter Sollett, USA
Hyena Road (Hyena Road: Le Chemin du Combat) – Paul Gross, Canada
Lolo – Julie Delpy, France
The Man Who Knew Infinity – Matt Brown, UK
The Martian – Ridley Scott, USA
The Program – Stephen Frears, UK
Septembers of Shiraz – Wayne Blair, USA
Stonewall – Roland Emmerich, USA
The Dressmaker – Jocelyn Moorhouse, Australia
Colonia – Florian Gallenberger, Germany/Luxembourg/France
Desierto – Jonás Cuarón, Mexico
Families (Belles Familles) – Jean-Paul Rappeneau, France
Guilty (Talvar) – Meghna Gulzar, India
The Idol (Ya Tayr El Tayer) – Hany Abu-Assad, UK/Palestine
The Lady in the Van – Nicolas Hytner, USA
Maggie’s Plan – Rebecca Miller, USA
Parched – Leena Yadav, India/USA
Sunset Song – Terence Davies, UK/Luxembourg
Trumbo – Jay Roach, USA
Un plus une – Claude Lelouch, France
Where To Invade Next – Michael Moore, USA
Demolition – Jean-Marc Vallée, USA
International premieres
Legend – Brian Helgeland, UK
North American premieres
Remember – Atom Egoyan, Canada
The Danish Girl – Tom Hooper, UK/Sweden
The Daughter – Simon Stone, Australia
Dheepan – Jacques Audiard, France
Len and Company – Tim Godsall, USA
The Lobster – Yorgos Lanthimos, Ireland/UK/Greece/France/Netherlands
Louder than Bombs – Joachim Trier, Norway/France/Denmark
Mountains May Depart (Shan He Gu Ren) – Jia Zhang-ke, China/France/Japan
Sicario – Denis Villeneuve, USA
Youth – Paolo Sorrentino, Italy/France/UK/Switzerland
Canadian premieres
Anomalisa – Charlie Kaufman, Duke Johnson, USA
Beasts of No Nation – Cary Fukunaga, Ghana
Black Mass – Scott Cooper, USA
Brooklyn – John Crowley, UK/Ireland/Canada
I Smile Back – Adam Salky, USA
Room – Lenny Abrahamson, Ireland/Canada
Son of Saul (Saul Fia) – László Nemes, Hungary
Spotlight – Tom McCarthy, USA
Victoria – Sebastian Schipper, Germany
Interesting what films are called Canadian or North American premieries. Gives away that some of them are in Tulluride or Venice, as well as the ones that were in Cannes, Berlin, Sundance, etc.
World premieres
Beeba Boys – Deepa Mehta, Canada
Forsaken – Jon Cassar, Canada
Freeheld – Peter Sollett, USA
Hyena Road (Hyena Road: Le Chemin du Combat) – Paul Gross, Canada
Lolo – Julie Delpy, France
The Man Who Knew Infinity – Matt Brown, UK
The Martian – Ridley Scott, USA
The Program – Stephen Frears, UK
Septembers of Shiraz – Wayne Blair, USA
Stonewall – Roland Emmerich, USA
The Dressmaker – Jocelyn Moorhouse, Australia
Colonia – Florian Gallenberger, Germany/Luxembourg/France
Desierto – Jonás Cuarón, Mexico
Families (Belles Familles) – Jean-Paul Rappeneau, France
Guilty (Talvar) – Meghna Gulzar, India
The Idol (Ya Tayr El Tayer) – Hany Abu-Assad, UK/Palestine
The Lady in the Van – Nicolas Hytner, USA
Maggie’s Plan – Rebecca Miller, USA
Parched – Leena Yadav, India/USA
Sunset Song – Terence Davies, UK/Luxembourg
Trumbo – Jay Roach, USA
Un plus une – Claude Lelouch, France
Where To Invade Next – Michael Moore, USA
Demolition – Jean-Marc Vallée, USA
International premieres
Legend – Brian Helgeland, UK
North American premieres
Remember – Atom Egoyan, Canada
The Danish Girl – Tom Hooper, UK/Sweden
The Daughter – Simon Stone, Australia
Dheepan – Jacques Audiard, France
Len and Company – Tim Godsall, USA
The Lobster – Yorgos Lanthimos, Ireland/UK/Greece/France/Netherlands
Louder than Bombs – Joachim Trier, Norway/France/Denmark
Mountains May Depart (Shan He Gu Ren) – Jia Zhang-ke, China/France/Japan
Sicario – Denis Villeneuve, USA
Youth – Paolo Sorrentino, Italy/France/UK/Switzerland
Canadian premieres
Anomalisa – Charlie Kaufman, Duke Johnson, USA
Beasts of No Nation – Cary Fukunaga, Ghana
Black Mass – Scott Cooper, USA
Brooklyn – John Crowley, UK/Ireland/Canada
I Smile Back – Adam Salky, USA
Room – Lenny Abrahamson, Ireland/Canada
Son of Saul (Saul Fia) – László Nemes, Hungary
Spotlight – Tom McCarthy, USA
Victoria – Sebastian Schipper, Germany
Interesting what films are called Canadian or North American premieries. Gives away that some of them are in Tulluride or Venice, as well as the ones that were in Cannes, Berlin, Sundance, etc.
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Re: Film Festivals 2015
Interesting that The Lady in the Van will be shown, especially since Sony pulled it from December.
Meanwhile, I'm wondering if the festival will return to opening with a Canadian-themed or connected film instead of just picking what appeals to American tourists to kick off the festival.
Meanwhile, I'm wondering if the festival will return to opening with a Canadian-themed or connected film instead of just picking what appeals to American tourists to kick off the festival.
Everything on this post is strictly the opinion and only the opinion of Buscemi.
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Re: Film Festivals 2015
They are opening with Vallée's Demolition.
Interesting line-up so far.
Interesting line-up so far.
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Re: Film Festivals 2015
That confirms they will be returning to opening with Canadian-themed product (though Demolition is listed as a US production, the director is Canadian). Now let's hope it stops trying to be like Sundance with the overemphasis of Hollywood that's taken over in recent years.
Meanwhile, does this mean Demolition will move up from its April date?
Meanwhile, does this mean Demolition will move up from its April date?
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Re: Film Festivals 2015
Demolition's release date was only announced 2 weeks ago. It would be surprising the distrib didn't already know the film would be at TIFF. It would take a huge buzz to make them change their strategy, probably.
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Re: Film Festivals 2015
Good reviews coming out on Suffragette. I'm telling you guys, it'll win the Audience Award in Toronto and be a huge contender for the Oscars.
Beasts of No Nation is also getting good reviews. Will be interesting to see how a Netflix original will play during awards season.
Black Mass has been getting better reviews than I imagined. Could be Depp's comeback.
Spotlight has only been getting okay-ish reviews. Same for Room.
Beasts of No Nation is also getting good reviews. Will be interesting to see how a Netflix original will play during awards season.
Black Mass has been getting better reviews than I imagined. Could be Depp's comeback.
Spotlight has only been getting okay-ish reviews. Same for Room.
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Re: Film Festivals 2015
Black Mass may be a 100% on Rotten Tomatoes but the average critic rating as of last night was only 6.4/10. It could fade by release day and be a victim of its own hype.
I think the Academy may rule Beasts of No Nation ineligible (since it's technically a TV movie).
Meanwhile, I think the more conservative voters will hate Suffragette on sight (much like with Selma). It feels a lot like this year's The Imitation Game: popular with audiences but might not appeal to the voters. Brooklyn feels like the much safer period film with the voters (and it's from Fox Searchlight, who will surely give it an enormous campaign).
I think the Academy may rule Beasts of No Nation ineligible (since it's technically a TV movie).
Meanwhile, I think the more conservative voters will hate Suffragette on sight (much like with Selma). It feels a lot like this year's The Imitation Game: popular with audiences but might not appeal to the voters. Brooklyn feels like the much safer period film with the voters (and it's from Fox Searchlight, who will surely give it an enormous campaign).
Everything on this post is strictly the opinion and only the opinion of Buscemi.
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Re: Film Festivals 2015
What's the definition of a "TV movie?" TV an cinema are becoming so melded. Anything that is created and released in 2015 should count IMO.
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Re: Film Festivals 2015
A TV movie is anything that premieres right away on a TV network. Examples include anything that premieres on HBO or BBC. Netflix is considered by both the Emmys and the Golden Globes as a TV channel so I expect the Academy to do the same.W wrote:What's the definition of a "TV movie?" TV an cinema are becoming so melded. Anything that is created and released in 2015 should count IMO.
Also, some of the future Netflix film productions (The Ridiculous Six, War Machine, The Do-Over, whatever the Duplass Brothers are making) are being planned solely for Netflix and Beasts of No Nation will be day-and-date (it was originally planned to have a four-week window) so there will be some problems with its eligibility.
There will probably be some lobbying (October Films tried this in 1994 with The Last Seduction, which premiered on HBO four months before hitting theatres) but it's hard to persuade the Academy on such a thing.
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