ReelSociety Forums

Going Universal to MUBI feels like a sign that it's a very niche film. In addition, the casting choices give it a very straight-to-VOD quality, even with the Cannes premiere.

The Fall Guy's struggles come two-fold. First, movies about filmmaking rarely take off. Unless it's making fun of the process like Tropic Thunder or manages to have a second hook like The Artist, the general public doesn't really care to watch something about celebrity. We already have TMZ. Second, ...

The Interstellar reissue opens on September 27th.

Meanwhile, add Hellboy: The Golden Man to the wire. Ketchup is planning a wide release towards the end of the year.

Really surprised no one drafted The Fire Inside or Homestead. The Fire Inside is going to be promoted heavily during the Olympics while Angel is going to truly go out of their way to make Homestead the next Sound of Freedom, especially since it's set to launch a series that's planned to be their nex...

And Six's Mr. Irrelevant pick could end up being a Brock Purdy.

Didn't think Ansari would return to directing after Disney shut down his previous project halfway through filming.

The strikes have led to a barren release slate, leading everyone to scramble for those diamonds in the rough.

The Wedding Singer remake not a lot of people were asking for. And it feels like the director's been making the same movie for nearly two decades.

Meanwhile, let's hope Ron makes his final pick this year.

I can't recall the last time Jason Reitman made a good movie. If he didn't have a famous father, he'd be nothing more than the director of some episodes of forgettable sitcoms. As for the premise, this sounds as unnecessary as that David O. Russell project about the creation of the Madden games that...

This was how Mel appeared in Six's dream.

Let's hope it's more Brooklyn and less The Goldfinch.

As for The Strangers, Walleye is going to hope every teenager shows up for the first to justify releasing the sequels wide. Otherwise, they'll probably be exclusive to WalleyeVision.

Boy Kills World had the fifth biggest second week drop ever, shedding an astounding 85.3%. I'm still trying to figure out why Lionsgate gave this one such a big push.

I just wasn't feeling it this year, Ron.

Surprised it took this long for Conclave to be picked. It could be a big Oscar contender if it's as good as All Quiet on the Western Front.

Flight Risk sounds like the kind of movie Mel's been starring in lately.